COMMUNITEA BOOKS BLOG
When I was in my early twenties I started writing a book. I had this idea to set the novel, in its entirety, on a plane, and it would be a study into behavioral and psychological habits of people that, for one reason or another, all found themselves sitting together here on this plane, at the end of which almost no one would hold on to the connections that they may have made that day, at least consciously. The novel was tentatively titled, A Window Seat. I enjoyed writing it. I remember sitting in my office, or what I had decided would be my office, in my new apartment in Pocatello, Idaho. The building was renovated to resemble an old ritzy hotel: the lobby and hall carpets were all maroon, the wallpaper maroon and gold, the radiators were painted gold, and each room had a milk door that opened up into the kitchen. I love this apartment. It was essentially a studio with a single room that was separated by French Doors that led into a room that, on the remaining sides, were covered by windows, and this room would become my office. I sat one evening on a chair that was left in the apartment. That chair, a bookshelf, and my bed, which lay in the middle of the larger room, was the only furniture that I had after leaving Texas so I used a book as a desk, a hard surface to write on while sitting in the chair, in my new office. I was consumed entirely in writing this story, A Window Seat I remember, distinctly, seeing not the windows but beyond the windows surrounding me, or the room adjacent, my bed, etc., I instead remember seeing my airplane and the passengers in it, I remember the window seat, and the gentlemen sitting next to me, I remember all of this fiction that had enveloped me. It was in that moment that I decided that I would write for a living, I realized that day that I was a writer.
I was never able to finish that novel, A Window Seat, instead I chopped it up and rewrote it as a series of short stories and moved on from there. I struggled, a lot. I did find opportunities in various outlets like the Idaho Falls Magazine and a handful of literary journals, but I learned how to live small. There were times that I lived unimaginably small. I know how to comfortably sleep and to live out of a car, and I know where to-, and where not to sleep as a struggling, homeless, and starving artist in New York City. I’ve watched people that I know make the same efforts that I’ve made and rocket into stardom even without the security blanket of talent. I have sacrificed the prospects of a ‘normal’ life for the sake of persistence unrealized in order to develop a dream inspired by my passion for writing. And I’ve wondered a great deal what it is that I am missing that seems to have come so naturally to everyone else, that thing that allows them to succeed while I, you know, don’t—and still sometimes I wonder.
I know the value of determination and persistence, and when people say to “never give up,” I know that it is not just a sound bite, because the catalyst of success is in being noticed every day, consistently. The day after you give up is the day that you would have succeeded. It’s just the truth. And at the foundation of that truth is the willingness to have taken a risk in the first place. It’s no coincidence that a large number of great artists, writers, actors, and people are an example of what we have come to call “a success story.” If you spend your life risking failure, and failing, you will, inevitably, discover success. We will encounter hurdles that seem more impossible to chance than others. For me, honestly, it was—it is—the expectations of my parents that continues to challenge my drive, but I know, without a degree of uncertainty, that the day I give up, the following day is the day that I would have succeeded at least in the eyes of my parents, of course, as far as I am concerned, I already have succeeded, simply because I have never given up, and once you are willing to take that same risk to not only find the willingness to start something new, but to see it through you’ll know exactly what it is that I mean.
When you’re an artist, of any medium, and you have made the decision to pursue that craft professionally you will tend to look for any opportunity regardless of how small to make it work. I write blurbs for Crowd Content—I still do. It’s a small online marking firm that hires ghost writers (like myself) to write short advertisements for, almost, anybody that will take them, and they pay almost nothing. As an artist you have to train your brain to think differently, in a lot of ways, but most aptly for this blogs purposes, you have to rain your brain to think differently when it comes to the way that you make money. For anyone whom has worked a job whether it be shift work or a nine-to-five you are used to working a specified number of hours and receiving a check, in one weekly or bi-weekly or bi-monthly bulk transaction, and your organize your budget based on that income. As a—struggling—professional artist you’ll often receive multiple checks throughout even the course of a day ranging from $10 to $500 (or more; or less). It’s not the time you work that becomes valuable it’s what you’re doing with your time, which for obvious reasons, demands you to covet time, but for all intents and purposes bear with me on this point that I’m making. In my experience if you’re an artist, and have worked to develop your art and yourself, and developing a market of yourself, the only reason we struggle, really, is because it’s difficult to rewire our brains to think differently about the way we understand income, especially if you never stop to consider the possibility that the unconscious expectations that we develop throughout childhood are considerably more demanding on our behaviors, and our actions than most of us fully understand.
When taking a risk whether it’s quitting your job to write a book, or to start your own bookstore (business), or you’re going to paint, or be a full time photographer, it’s important to be aware that success comes only from changing the way you perceive the market, and the way that we make money, and the way that we spend money. I’ve worked many jobs while trying to make my life work as an author--and then, again as a business owner. Some of those jobs have been too demanding for me to even consider creating my own life, and so I just simply left them for the sake of my passions, and if things got bleak again, I would find another job, and in the meantime I learned to train my brain to think in terms of a, I don’t know, micro-income generator, and how to accept money regardless of whether it was in the form of a ten dollar bill or a few thousand dollar check. You make a lot of promises, and acquire new and interesting kinds of debts, your write a lot of thank you letters, or texts, or Instagram’s or whatever, and you never give up, and just like Jim Carey walking around with a ten million dollar check in his wallet made out to himself until he was able to cash it (he carried around for years, and was able to cash it in 95’), you will find success.
I am a freelance author, writer, critic, artist, and entrepreneur living in the Heart of the Texas Hill Country.